This is how I felt this week as double deadlines charged straight at me. The final draft of Dakota, the sequel to Montana, is due to The Permanent Press. But in the midst of working on that, I got the final proof of Montana – as in, my last-chance, drop-dead opportunity to make corrections. Anything I missed on this go-round lives to embarrass me in print.
So I dropped the work on Dakota and spent two full days poring over Montana, finding 19 mistakes in the process. That sort of things gives you – at least it gives me – nightmares. Because what if I missed something? That’s the equivalent of getting run over by the locomotive.
Now it’s back to Dakota, trying to shore up the spots that wobble and jettison the stuff that slows things down. The one good thing about the diversion back to Montana was that I found phrases that were repeated in Dakota. The big machete took care of that. Very satisfying! Even more satisfying? The kick-ass cover design by Lon Kirschner. Wowza!
Speaking of The Permanent Press, here’s a cool story in the Sag Harbor News about publishers Marty and Judith Shepard.
And, I never did follow up on Killer Nashville. Suffice it to say it was a blur – a productive, informative blur. The best part? Meeting the Shepards, and several of The Permanent Press authors, a frighteningly talented bunch. I am not worthy.
Above, from left, The Permanent Press crew – Me, Chris Knopf, David Freed, Beth (Jaden) Terrell, Mike Hicks, Connie Dial, Judith Shepard, Martin Shepard, Baron Birtcher
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