Here’s the Book Seven progress report I sent my agent:
Horrible first draft – done
Holes (many, gaping) – identified
Outline (to address said holes) – roughed out
Rewrite – commenced. Happy writer!
So, as noted before, I do things backward: I write a draft first, then I make an outline by summarizing each chapter on an index card and lying the cards out in order. Then I shuffle them – and add new ones – until I come up with a structure that makes sense. Something about the physicality of it helps. At least, I hope it does.
As my wonderfully wise agent promised, the draft wasn’t nearly so horrible as it felt while I was writing it. Some chapters, especially as I figured out what the book was about, actually were not half bad. Now, to fill in those holes. That’s the happy writer part – knowing what needs to be done, having tripped over it in the stumbling-around process of the first draft.
Efficient? Not remotely.
But fun, in an effed-up kinda way.



But. But. Flipping through the file reminded me that Wind River, as I called that fumbling first novel, got a “very enthusiastic” first reading from a terrific agency, and made it to another round before being rejected with the standard “we are simply not enthusiastic enough.”
When I was a kid, I had a horse with a mouth like iron who, toward the end of a ride, would work at the bit until he got it between his teeth and then head for the barn at a full gallop, hoping to scrape me off under the overhang.
Another favorite: When Aaron Burr asks Hamilton, “Why do you write like you’re running out of time? Write day and night like you’re running out of time?”





May 18, 2017 – It’s May in Montana, which means there’s fresh snow on the daffodils. Good weather for writing, right? Or, these days, editing.

